I can't wait to read Scheherazade, the new anthology of women comic artists edited by Megan Kelso. It makes think of the ridiculous claim from Chip McGrath this summer that the graphic novel is a man's game, and laugh. This book totally gives him the finger, as do I: with the strength of of the art to back it up. Check it out:
For this anthology, Kelso has assembled an all-star lineup of women cartoonists—almost all under 35 years old—and given them the mandate to show what they can do. The result is a dizzying variety of work, most of it impressive and some superb. Andrice Arp takes on the "Scheherazade" theme most literally, adapting a tale from The 1001 Nights that nests stories within stories, and reflecting its structure in her page compositions. Ariel Bordeaux contributes a wordless story whose panels appear between everyone else's pieces. Some of the stories are solemn, like Leela Corman's "Fanya Needs to Know," a chapter from her graphic novel-in-progress about an abortionist in early 20th-century Jewish New York; others are cute and whimsical, like Sara Varon's adorable untitled piece about a dog that builds a robot. There are cartoonists who draw on fine art (e.g., Vanessa Davis, whose "I Wonder Where the Yellow Went" is a series of her fluid autobiographical sketches) and on prose literature (e.g., Gabrielle Bell, who adapts a Kate Chopin story as "One Afternoon"). Kelso's own contribution, "The Pickle Fork," is one of the book's highlights, a dark but loopy narrative, drawn with clean-lined elegance, about a museum of silverware and the people who have to polish it.
P.S.: Stay tuned, next week is the week of Cupcake Loves McGrath Jr. and Sr.


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